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Selected works / 2024–2026

The Work

Sculptures and optical apparatuses for looking, holding and being seen.

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Front view of Reversal, with the photographer reflected in the central mirror. — Reversal 2025
A non-reversing mirror inside a camera-shaped sculpture.

Panorama seen directly from the front, showing its curved housing and dark central opening. — Panorama 2024
A hand-operated sculpture built around a panoramic film camera’s rotating mechanism.

Front of the blue Eye to Eye camera, with a central open passage and a separate smaller imaging lens. — Eye to Eye 2024
A working camera with a separate imaging lens and an opening that keeps the photographer’s eye visible.

The black flared body of Distance seen from an angle. — Distance 2025
A handheld optical apparatus that makes the landscape appear farther away and blurred.

Reflex stands upright with its two viewing openings facing the camera. — Reflex 2025
A handheld optical apparatus that returns an enlarged, close-range view of the viewer’s own face.

A visitor approaches the lens set in the green surface of Background. — Background 2026
A camera lens set into a green chroma-key surface; it takes and stores no image.

What Icon? 2024

A large camera-shaped object with a mirror at its centre.

Side view of Focus, a long cone tapering to a narrow point. — Focus 2025
A vintage super-telephoto lens housed in a large conical body.

The blue binocular body of Parallax viewed obliquely. — Parallax 2025
A binocular apparatus in which one landscape appears as several images side by side.

Abyss, a purple rounded body with two metal eyepieces below. — Abyss 2025
An optical apparatus whose opening returns the viewer’s own eye.